Episode 33
Episode 33 Are We Having Fun?
Thanks for Hitting Play and then listening to Hit Play. This episode: existential, high, reminiscent, and crunchy!
If you like what you hear and want to support the New York Neo-Futurists, subscribe to the show, consider making a donation at nynf.org, and join our Patreon. Patreon membership gives you access to bonus content like video plays! We’d really appreciate any support in these difficult times. Contributing to our Patreon helps us continue to pay our artists.
Take care of yourself, put some watercolors and paper outside while it rains and let the sky do the painting, and share it with us on Instagram, Twitter, or Facebook.
1:40 - recent over sights by Rob Neill featuring Vanessa Ehler, Léah Miller, Greg Lakhan, and Katharine Heller
2:51 - Sir Gregolas Radio: WII'D by Greg Lakhan
3:58 - Katharine Recalls The Plot Of The Musical "The King And I", From Her 6th Grade Production Without Googling Anything, And Rob Fact Checks Her by Katharine Heller featuring Rob Neill
5:57 - Hot Leaf by Anthony Sertel Dean
Our logo was designed by Shelton Lindsay
Our sound is designed by Anthony Sertel Dean
Hit Play is produced by Anthony Sertel Dean, Julia Melfi, and Léah Miller
Take Care!
Transcript
Episode 33 Are We Having Fun?
Show Intro
Bouncy and jingly electronic instrumental music plays underneath.
Julia: 33. Are We Having Fun? Hi, I’m Julia Melfi—a New York Neo-Futurist. While our on-going, ever-changing, late-night show, The Infinite Wrench, is on hold for the foreseeable future, we wanted a place to keep making art for you. And so we made this podcast!
If you’re already a fan of The New York Neo-Futurists, or any of our sibling companies, hello! We can’t wait to eat whatever you bring to a picnic. If this is totally new to you—welcome to it!
We play by four rules: We are who we are, we’re doing what we’re doing, we are where we are, and the time is now. Simply put: we tell stories, and those stories are our own. Everything that you hear is actually happening. So if we tell you we're recording this line after we licked a bar of soap, we’re really recording this part after we licked a bar of soap. Like I just did. Ugh. Oh fuck, I actually really hated that. I didn't think it would be so bad.
Julia: And now, Anthony will Run the Numbers!
Anthony: Hey, I’m Anthony, technical director for the New York Neo-Futurists.
In this episode we’re bringing you 4 plays. The first is by Rob Neill featuring Vanessa Ehler, Léah Miller, Greg Lakhan, and Katharine Heller. The second play is by Greg Lakhan. The third play is by Katharine Heller featuring Rob Neill. And the last one is by me, Anthony Sertel Dean.
That brings us to 131 audio experiments on Hit Play. Woo! Enjoy!
Music winds down.
Play 1: recent over sights (1:40)
Rob: recent over sights. GO!
Voices of Rob, Vanessa, Greg, Katharine, and Léah edited together and layered with old-time-y public domain music
All: This is not the funny part
This is not the part where you understand
where I understand
There are too many questions now
This is not the time of strengthen
This is when we call up what strength we have
This is not where we know what the next day, hour, minute will bring
This is where the question mark inside me as to
what my body will do when confronted by the virus
unsettles me daily fundamentally
This is not business, life, dinner as usual
This is not let's huddle in the root cellar til it all goes away
This is not the apocalypse
This is training for the apocalypse
or it is not
This is a series of repeat shocks
shocks of isolation
Music plays out
Play 2: Sir Gregolas Radio: WII'D (2:51)
Radio static like scanning for a station
Greg: Sir Gregolas Radio: WII'D. GO!
Rap song. The WII theme is warped as the melody.
Greg: Flows are infectious
No names on the guestlist
Time so precious
Don’t know how to spend it
Sources of entertainment
So endless
Got a black cat
And we got a decent friendship
Wrote a couple tracks and
the content is endless
3 months trapped
And a nigga feelin pensive
Every single day is like high school detention
Bool with the roomies and I ease a little tension
Ghosting everybody you can call me Danny Fenton
Get sick kicks off the likes and the mentions
Mask on but you know it’s me
Gloved up like I’m about to fuck her ovaries
I could hop a turnstile no one even notice me
Gotta wait an hour just to go and buy some groceries
Toast to greed
This alone time really mean the most to me
Shouts out to all of the ones close to me
Tryna keep it discrete and on the lowest of keys
until everything’s how it’s supposed to be
I’m gonna play some video games and smoke some weed
Music plays out.
Play 3: Katharine Recalls The Plot Of The "The King And I" (3:58)
Katharine: Katharine Recalls The Plot Of The Musical "The King And I", From Her 6th Grade Production Without Googling Anything, And Rob Fact Checks Her. GO!
Katharine: So, Anna is a single mother, because apparently her husband passed away and has a kid named Louis. They're on a boat on the way to Siam, she's gonna work for the king of Siam as a teacher. He says, "I'm nervous", she says "Let's just whistle a happy tune" and does the song. Anyway. She gets to the king of Siam's house, and apparently he has like 100 kids, and like, many wives. And they do a little presentation and then she's all like, that's so weird, I'm a white feminist from London and he was like, no it's cool, I have many wives. And then he gets presented--B plot, by the way!--with a new wife named Tuptim, from what I remember. And he says "I am pleased with you" and then she sings a song called "My Lord and Master" and that, you know when I did the 6th grade production of this, I remember thinking that was weird, anyway, turns out Tuptim was having an affair with one of the garden workers I think? At the king of Siam's house. Then they sing a song called "We Kiss In The Shadows", then the king sings a song about "et cetera". By the way, the king has--his shirt is unbuttoned and he's wearing pantaloons and has his arms akimbo the entire time. So then, there's a ballroom situation with some diplomats and that's when they sing "Shall We Dance?" and then the king and Anna fall in love. Then the king dies and there's a letter that she reads and also, the king's son, the head son, is kind of a little bit of an asshole, and takes over the country. I think that's what the plot is. From what I remember. Rob?
Rob: So I was just looking at Wikipedia and that's pretty close.
Play 4: Hot Leaf (5:57)
Anthony: Hot Leaf. GO!
Leaf crush recording at fractional speed, morphed electronically
Anthony: This is the sound of a leaf, crushed by my foot on a summer afternoon. The heat, the air, its environment, morph it, make it brittle, make it frail, make it fall.
Leaf crush recording slightly faster
Heat and pressure. Crunch. We are hardened by the heat, we are changed when exposed. To heat and pressure.
Leaf crush recording slightly faster
The heat can cure a mighty form, but a weight on a flaking structure is not what I think of as hardness.
Leaf crush recording slightly faster
Hardness isn’t fragile. Why does the leaf turn fragile when it transforms, morphs, chan-
Leaf crush recording slightly faster
It’s one long exposure or many short ones
Leaf crush recording slightly faster
It’s the pressing
Leaf crush recording slightly faster
It’s the leaf
Leaf crush recording slightly faster
Crushed
Leaf crush 100% speed
Show Outro (15:36)
Jingle jangly electronic instrumental music plays underneath.
Julia: Thanks for Hitting Play and then listening to Hit Play. If you liked what you heard, subscribe to the show and tell a friend! If you want to support the New York Neo-Futurists in other ways, consider making a donation at nynf.org, or joining our Patreon–Patreon.com/NYNF. Patreon membership gives you access to bonus content like video plays and livestreams. And if this episode gets over 1,000 downloads, we'll order one of our Patreon supporters a pizza on us. We’d really appreciate any support in these difficult times. Contributing to our Patreon helps us continue to pay our artists.
Take care of yourself, put some watercolors and paper outside while it rains and let the sky do the painting, and share it with us on Instagram, Twitter, or Facebook.
This episode featured work by: Rob Neill featuring Vanessa Ehler, Léah Miller, Greg Lakhan, and Katharine Heller; Greg Lakhan; Katharine Heller featuring Rob Neill; and Anthony Sertel Dean. Our logo was designed by Shelton Lindsay. And our sound is designed by Anthony Sertel Dean. Hit Play is produced by Anthony Sertel Dean, Léah Miller, and me, Julia Melfi. Take Care!
Music fades out!